| 苏轼传神论美学思想论析 |
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| 引用本文： | 胡立新.苏轼传神论美学思想论析[J].乐山师范学院学报,2003,18(8):1-8. |
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| 作者姓名： | 胡立新 |
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| 作者单位： | 黄冈师范学院,文学院,湖北,黄冈,438000 |
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| 摘 要： | 贯穿于苏轼诗书画理论中的传神论美学思想,有着丰富而深刻的理论价值。主要体现为他拓宽了前人的形神论涵义,兼容形似与神似之关系,以传神为最高艺术审美理想。其物化传神、赋形传神、常理传神、象外传神、韵味传神、个性传神等思想尤其具有理论价值,深刻揭示了中国传统艺术美的本质与理想。
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| 关 键 词： | 苏轼 艺术理论 形似 神似 传神 |
| 文章编号： | 1009-8666(2003)08-0001-08 |
| 修稿时间： | 2003年7月12日 |
On the Aesthetic Thought "Lifelikeness" of Su Shi |
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| HU Li-xin.On the Aesthetic Thought "Lifelikeness" of Su Shi[J].Journal of Leshan Teachers College,2003,18(8):1-8. |
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| Authors: | HU Li-xin |
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| Abstract: | Lifelikeness, the major aesthetic thought of Su Shi, likes a red thread, runs though all of his artistic forms, namely, poetry and essays, painting and calligraphy. It contains and exhibits abundant and profound theoretic value. Most of Su's artistic achievements and contributions lie in that he not only widened the concept of "formal resemblance" of his former masters, but also combined the merits of both "formal resemblance" and "spiritual resemblance", to realize the highest artistic and aesthetic dream--lifelikeness. What is more highly aesthetically valuable and typical of Su Shi is that he managed to convey the spirits of his depicted targets though various ways, through describing the outer forms, the material subjects, the common sense, the charm and individuality, to name only a few key ones. This method profoundly embodies the essence and the ideal of traditional Chinese aesthetics. |
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| Keywords: | Su Shi artistic thought formal resemblance spiritual resemblance lifelikeness |
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