| 传统戏曲艺术中的“弱女告状”模式及其意义 |
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| 引用本文： | 杨红莉,董志民.传统戏曲艺术中的“弱女告状”模式及其意义[J].石家庄学院学报,2010,12(1):109-114. |
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| 作者姓名： | 杨红莉 董志民 |
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| 作者单位： | 1. 石家庄学院,文学与传媒学院,河北,石家庄,050035
2. 石家庄经济学校,党委办公室,河北,石家庄,050041 |
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| 摘 要： | 中国传统戏曲文本中隐含着一条“弱女蒙冤告状”的线索，这条线索既是中国古代女性悲苦生活的写照，也是她们为自身不断争取更高生活质量的见证。以此为镜，不但可以看到女性在不同的历史时代为自身所争取的不同的生存空间，可以看到女性命运的“变”与“不变”，还可以看到中国文化的演变历史，可以看到艺术的本质。
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| 关 键 词： | 戏曲 女性 告状 文化模式 |
The Pattern and Significance of A Weak Female Makes an Accusation in Traditional Opera Art |
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| YANG Hong-li,DONG Zhi-min.The Pattern and Significance of A Weak Female Makes an Accusation in Traditional Opera Art[J].Journal of Shijiazhuang University,2010,12(1):109-114. |
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| Authors: | YANG Hong-li DONG Zhi-min |
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| Institution: | YANG Hong-li1,DONG Zhi-min2(1.School of Arts & Communication,Shijiazhuang University,Shijiazhuang,Hebei 050035,China,2.Party Committee Office,Shijiazhuang Economics School,Hebei 050041,China) |
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| Abstract: | There is a clue of A Weak Female Suffering Injustice Makes an Accusationin Chinese traditional opera.This clue is both the portrayal of sad life of Chinese females in ancient times and the witness of their unremitting struggle for a life of higher quality.And it presents their living space females in different times strove for,the change and non-change of their destiny,the evolution history of Chinese culture,and the essence of art as well. |
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| Keywords: | traditional opera female lodging a charge cultural pattern |
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