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民族地区非物质文化遗产传承人电视纪录片的创作与传播
引用本文:施为民.民族地区非物质文化遗产传承人电视纪录片的创作与传播[J].楚雄师范学院学报,2013,28(2):98-102.
作者姓名:施为民
作者单位:楚雄电视台,云南楚雄,675000
摘    要:纪录片是以真实生活为创作素材,以真人真事为表现对象,对其进行艺术加工,以展现真实为本质,并用真实引发人们思考的电影或电视艺术形式。以非物质文化遗产传承人为拍摄对象的人类学电视纪录片,真实地记录、还原了非物质文化遗产传承人所承载的文化技艺及其生活环境,具有重大的史料价值、人类学价值和传播价值。笔者试图从电视影像的角度,结合创作实践,对此类纪录片的人文价值、创作原则、艺术特色等方面进行分析,以期为民族地区非物质文化遗产传承人纪录片的创作与传播提供借鉴和参考。

关 键 词:非物质文化遗产传承人  电视纪录片  创作策略

Creation and Dissemination of Intangible Cultural Heritage Inheritors TV Documentary in Ethnic Areas
SHI Wei-min.Creation and Dissemination of Intangible Cultural Heritage Inheritors TV Documentary in Ethnic Areas[J].journal of chuxiong normal university,2013,28(2):98-102.
Authors:SHI Wei-min
Institution:SHI Wei - min ( Chuxiong Television, Chuxiong 675000, China)
Abstract:The documentary is a movie or TV art form to show the truth and causes people to think over. The movie describes real events and people and makes them artistic. The anthropology documentary really records and restores the intangible cultural heritage inheritors' cultural skills and their living environment, having significantly historical value, anthropology value and communication value. This paper analyzes the humanistic values, the creation principles and artistic characteristics of the documentary from the view of the television image and creation practice.
Keywords:intangible Cultural heritage inheritor  television documentary  creation strategy
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