| 颠覆与挪用:美学的辩证法--《玉米》中革命话语的一种解读 |
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| 引用本文： | 丁智才.颠覆与挪用:美学的辩证法--《玉米》中革命话语的一种解读[J].玉溪师范学院学报,2005,21(4):45-48. |
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| 作者姓名： | 丁智才 |
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| 作者单位： | 广西师范学院,文学与传播传院,广西,南宁,530001 |
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| 摘 要： | 毕飞宇以<玉米>为代表的"玉米"系列小说都与"文革"有着或隐或显的联系,显示了其强烈的"文革"情结.一方面毕飞宇颠覆、消解了革命叙事和革命话语,既残留晚生代的叙事特征,又突显了新的叙事策略和话语特点;另一方面他也通过对文革背景及革命话语的挪用深刻揭示了女性的生存困境和命运悲剧.在这颠覆和挪用之间,实现了对革命话语的审美性观照,也预示毕飞宇创作风格的整体位移.
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| 关 键 词： | 美学 辩证法 革命话语 文革背景 |
| 文章编号： | 1009-9506(2005)04-0045-04 |
| 修稿时间： | 2005年2月15日 |
Subversion and embezzlement: a Dialectic-aesthetics interpretations of Corn |
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| DING Zhi-cai.Subversion and embezzlement: a Dialectic-aesthetics interpretations of Corn[J].Journal of Yuxi Teachers' College,2005,21(4):45-48. |
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| Authors: | DING Zhi-cai |
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| Abstract: | Bi Feiyu's Corn represents his series of novels that are overtly or covertly related to Cultural Revolution, betraying the author's strong Cultural Revolution complex. This novel subverts and deconstructs the revolutionary narrative and discourse, keeping features of the late generation writer while foregrounding the narrative strategies and discourse of the new narration. On the other hand, by embezzling on the historical background and discourse, the author successfully showed the life embarrassment and tragedy of women. The subversion and the embezzlement brings about an aesthetical appreciation of the revolution discourse and predicts a turn of style of Bi's work. |
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| Keywords: | aesthetics dialectics revolutionary discourse revolutionary background |
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