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境生象外意发其中--浅谈山水画的意境表现
引用本文:王书兰.境生象外意发其中--浅谈山水画的意境表现[J].德州学院学报,2004,20(1):96-98.
作者姓名:王书兰
作者单位:德州学院美术系,山东,德州,253023
摘    要:意境是中国古典美学与古典艺术的核心问题,山水画创作当以巧妙构思意境为宗旨.意境的表达离不开笔墨和虚实的运用,画家见景生情,景与情合,凭自己独特的感受创造出艺术形象,求得意境的创造和心灵的净化,使中国山水画在有限的空间表现出无限的意味.

关 键 词:山水画  意境  虚实  人文思想  诗情画意
文章编号:1004-9444(2004)01-0096-03
修稿时间:2003年5月24日

The artistic conception is beyond the paint The point springs from paint--Discussing conception expression of landscape painting simply
WANG Shu-lan Art.The artistic conception is beyond the paint The point springs from paint--Discussing conception expression of landscape painting simply[J].Journal of Dezhou University,2004,20(1):96-98.
Authors:WANG Shu-lan Art
Institution:WANG Shu-lan Art Department of Dezhou University,Dezhou Shandong 253023,China
Abstract:Artistic conception is a key question in Chinese classical aesthetics and classical art. The creating landscape painting should regard ingenious conception as intention. Expressing artistic corceptin depends on applying of pen and ink and imagination and actuality. Painters grow emetion as soon as they catch sight of scence, emotion coineides with scence. Relying on one's special feeling brings about art image to obtain the creating of artistic corceptin and the purifying of mentality, to make the Chinese landscape paiting show limitless meaning in limited empty space.
Keywords:Inndscape painting  artistic conception  imagination and actuality  human thought  a quality suggestive of poetry or painting  
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