| 开放性：文学现代性的标尺 |
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| 引用本文： | 方克强.开放性：文学现代性的标尺[J].华东师范大学学报(哲学社会科学版),2002,34(1):59-71. |
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| 作者姓名： | 方克强 |
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| 作者单位： | 华东师范大学中文系,上海,200062 |
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| 摘 要： | 学的开放性与现代性具有相当大程度的同步性与互涉性，一个国家的学开放态势可以是衡量学现代化匠一杆标尺。学的开放性主要指对外部世界的开放，包括实际开放程度与主观开放意识，学的现代性可概括为开放性，多元性和创新性三要素，而开放性具有首要意义，从开放性的角度审视百年中国学进程，可划分出全面开放，半开放半封闭，基本封闭与走向开放四个时期，学的开放性是百年中国学进程的连续性本质。它从未完全失落过，但不同的开放程度与开放意识标志着学现代性的强弱变动。
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| 关 键 词： | 文学 全球化 现代性 开放性 封闭性 创新 |
| 修稿时间： | 2001年6月10日 |
Openness:A Mark of Literary and Artistic Modernity |
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| FANG Ke-qiang.Openness:A Mark of Literary and Artistic Modernity[J].Journal of East China Normal University :Philosophy and Social Sciences Edition,2002,34(1):59-71. |
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| Authors: | FANG Ke-qiang |
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| Institution: | FANG Ke-qiang |
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| Abstract: | The literary openness and modernity are synchronous and interactive with each other to a considerable degree.The literary open attitude of a country can be a rod for surveying its modernized degree of literature. The openness of literature is chiefly referred to the opening-up to the external world, including actual open degree and subjective open consciousness. The modernity of literature can be generalized into the three elements of openness, plurality and creativeness, and in particular, the openness has a primary significance. Viewed from openness, the centenary process of Chinese literature can be divided into the four periods: overall open, half open and half close, largely close, and towards open. The literary openness reflects a continuous essence of the centenary Chinese literary progress, which is never totally lost. However, different open degrees and open consciousness indicate changes of literary modernity, strong or weak. |
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| Keywords: | modernity openness plurality creativeness |
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