| 宋代江浙诗韵的上、去声 |
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| 引用本文： | 钱毅.宋代江浙诗韵的上、去声[J].湘南学院学报,2011(4):45-48. |
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| 作者姓名： | 钱毅 |
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| 作者单位： | 邵阳学院中文系; |
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| 基金项目： | 教育部人文社科研究一般项目(10YJC740083); 中国博士后科学基金项目(20100471322); 江苏省博士后科研资助计划项目(1001058C); 湖南省教育厅科研基金优秀青年项目(09B093) |
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| 摘 要： | 宋代江浙诗人用韵四声分押格局占绝对优势,这说明中古四声格局在宋代江浙基本未变.不过上声与去声之间有较多通押.宋代江浙地区全浊上声字正处在向去声演变的过程中.宋代江浙吴语中全浊上声调类可能存在,大概读成阳上.
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| 关 键 词： | 宋代 江浙 方言 上声 去声 |
The Falling-rising Tone and the Falling Tone in the Rhymes of Poems in Jiangsu and Zhejiang in Song Dynasty |
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| Qian Yi.The Falling-rising Tone and the Falling Tone in the Rhymes of Poems in Jiangsu and Zhejiang in Song Dynasty[J].Journal of Xiangnan University,2011(4):45-48. |
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| Authors: | Qian Yi |
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| Institution: | Qian Yi(Department of Chinese,Shaoyang University,Shaoyang 422000,China) |
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| Abstract: | In Song Dynasty,the poets of Jiangsu and Zhejiang mainly used the four tones rhyming skill,which shows this pattern was basically unchanged there.Only the falling-rising tone and the falling tone had more comman rhymes.At that time the voiced sound words were in the evolution from falling-rising tone to the falling tone,so there maybe existed the rhyming adjustment of the words with voiced falling-rising tone,pronounced as the second and the third tones. |
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| Keywords: | Song Dynasty Jiangsu and Zhejiang dialect the falling-rising tone the falling tone Song Dynasty the tone of Shang the tone of Qu |
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