| 中国新生代的电影观念、审美追求和艺术创造 |
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| 引用本文： | 朱洁.中国新生代的电影观念、审美追求和艺术创造[J].徐州师范大学学报(哲学社会科学版),2011,37(2):55-59. |
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| 作者姓名： | 朱洁 |
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| 作者单位： | 南京师范大学文学院,江苏南京,210097 |
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| 摘 要： | 在电影观念上,新生代导演视拍电影为一种个人化的艺术创造,将电影定位于由真实影像完成的对于时代的记忆,强调电影的现实性与普泛性意义。在审美追求上,新生代电影着力描写社会底层处于文化边缘的小人物的生存世相,展现当下中国普通民众的生存状态和生命体验,努力在平凡生活中挖掘人生的意义,提炼人性的深度。新生代电影还对文化给予了持续的关注与思考。在艺术创造上,新生代电影形态以日常性、开放性叙事为主要特征;电影风格则从表现风格到纪实风格;体现了本色现实主义与诗意并存的电影精神。
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| 关 键 词： | 新生代 电影观念 审美追求 艺术创造 |
On the Movie Conception, Aesthetic Pursuit and Artistic Innovation of the Chinese New Generation |
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| ZHU Jie.On the Movie Conception, Aesthetic Pursuit and Artistic Innovation of the Chinese New Generation[J].Journal of Xuzhou Normal University(Philosophy and Social Sciences Edition),2011,37(2):55-59. |
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| Authors: | ZHU Jie |
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| Institution: | ZHU Jie(School of Literature,Nanjing Normal University,Nanjing 210097,China) |
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| Abstract: | In the aspect of movie conception,the directors of the new generation regard movie-making as their personalized artistic creation,orient the movies by depicting the true images of the times and emphasize the real and universal significance of the movies.As for the aesthetic pursuit,new generation movies spare no effforts to paint the panorama of those small people who live at the bottom of society and on the verge of culture in order to display the survival situation and experiences of Chinese ordinary peop... |
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| Keywords: | new generation movie conception aesthetic pursuit artistic innovation |
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