| 时代精神碎片的整理方式 --20世纪90年代诗歌简论 |
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| 引用本文： | 李志元.时代精神碎片的整理方式 --20世纪90年代诗歌简论[J].黄冈师范学院学报,2005,25(5):47-52. |
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| 作者姓名： | 李志元 |
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| 作者单位： | 北京师范大学,文学院,北京,100875 |
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| 摘 要： | 20世纪90年代以来的诗坛主要活跃着四个写作群体：主旋律诗歌写作群体、“知识分子写作”群体、“民间写作”群体和“边缘性写作”群体.在历史总体性解体的情势下,诗歌写作的题材一步步转向边缘的、幽暗的、具体的、形而下的领域,具有碎片性质.为了整合新的写作资源,诗人们纷纷调整自己的写作立场和诗学趣味,开始以个性化的抒情方式介入复杂的现实生活,使得当代诗坛呈现出一种诗歌美学形态多元共生的繁复局面.西川、王家新、欧阳江河、伊沙、侯马、臧棣、沈苇、冉冉、杨晓民等的诗歌则在不同的向度上展示出了90年代以来的诗歌写作实绩和特征.
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| 关 键 词： | 90年代 当代诗歌 写作特征 |
| 文章编号： | 1003-8078（2005）05-0047-06 |
| 收稿时间： | 2005-06-17 |
| 修稿时间： | 2005年6月17日 |
How to Settle the Spiritual Fragments -On the poetry since 1990's |
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| LI Zhi-yuan.How to Settle the Spiritual Fragments -On the poetry since 1990''''s[J].Journal of Huanggang Normal University,2005,25(5):47-52. |
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| Authors: | LI Zhi-yuan |
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| Abstract: | There are four basic poetic groups named Orthodox cantus-writing,Intellectual writing,Civilian writing and Brink-writing in the Parnassus since 1990's.Being broken of the grand narrative,the writing materials for poetry have been turning to be fringe,gloomy,idiographic and physical,which displayed a kind of quality of fragment.In order to synthesize the writing resources,the poets continually modified their standpoint of poetics,and went deep into the complexity of existence by a way of individual singing.As a result,the contemporary poetry has been seeing an active situation,in which plural poetic styles could be got along with.Those poets,XI Chuan,WANG Jia-xin, OUYANG Jiang-he,YI Sha,HOU Ma,ZANG Di,SHEN Wei,RAN Ran and YANG Xiao-min,had created many representative poems.Their writings reflected the accomplishment and the characteristics of poetry since 1990's. |
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| Keywords: | 1990's contemporary poetry writing characteristics |
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