| 《画皮》的当代社会语境 |
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| 引用本文： | 敖运梅.《画皮》的当代社会语境[J].宁波广播电视大学学报,2009,7(1):92-94. |
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| 作者姓名： | 敖运梅 |
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| 作者单位： | 宁波大学浙东文化研究中心,浙江宁波,315211 |
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| 摘 要： | 陈嘉上导演的《画皮》借用古装片这一“画皮”，杂糅了诸多现代社会观念，包括性别意识形态．婚恋的多重涵义等，利用影视的多重质素，对相关题材加以继承与扬弃，成功打造了一部伪东方魔幻主义的大片，一部缠绵凄婉的现代爱情“惊悚片”。
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| 关 键 词： | 继承与扬弃 男性中心主义 婚恋角色 多重主题 |
The Contemporary Social Context of "The Painted Skin" |
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| AO Yun-mei.The Contemporary Social Context of "The Painted Skin"[J].Journal of Ningbo Radio & TV University,2009,7(1):92-94. |
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| Authors: | AO Yun-mei |
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| Institution: | East Zhejiang Culture Research Center of Ningbo University;Ningbo 315211;Zhejiang;China |
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| Abstract: | The director Gordon Chan's"The Painted Skin"has borrowed the form of the costume film,mixed in it many modern social concepts like the gender consciousness and multi-level connotations of marriage and love,taken advantage of the multiple qualities of film and TV,inherited and discarded the relevant subjects,created a successful film of a pseudo-oriental magic and a poignant modern love thriller. |
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| Keywords: | Inherit and discard Male-chauvinism Role of marriage and love Multiple themes |
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