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京都赋引《诗》用《诗》的经学色彩
引用本文:金鑫.京都赋引《诗》用《诗》的经学色彩[J].安顺学院学报,2012(3):8-10,19.
作者姓名:金鑫
作者单位:贵州大学人文学院
摘    要:辞赋作品引《诗》用《诗》之风源于两汉经学与文学互动,即使在经学衰微的魏晋时代此风仍然不减。不同风格的辞赋作品对《诗》的题材和艺术表现手法等有着异彩纷呈的发挥,而京都赋题材的作品对《诗经》文辞的称引和化用则呈现出特殊的光芒。

关 键 词:京都赋  经学  引《诗》用《诗》

The Introduction of "Classic of Poetry" into "Rhyme Prose" about Metropolis
Jin Xin.The Introduction of "Classic of Poetry" into "Rhyme Prose" about Metropolis[J].Journal of Anshun College,2012(3):8-10,19.
Authors:Jin Xin
Institution:Jin Xin(College of Humanities,Guizhou University,Guiyang 550025,Guizhou,China)
Abstract:The introduction of "Classic of Poetry" into "Rhyme Prose" was derived from the intercourse between Literature and Confucian Classics Study in the period of Western Han and Eastern Han dynasties,which was still strong in the decline of the study of Confucian classics in the period of wei-jin dynasties.Different styles of "Rhyme Prose" play wonderfully in theme and artistic expression of "Classic of Poetry",especially the "Rhyme Prose" about metropolis plays more perfectly in the introduction of "Classic of Poetry".
Keywords:rhyme prose about metropolis  study of Confucian classics  introduction of "Classic of Poetry"
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