| 《文心雕龙·明诗》三题 |
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| 引用本文： | 王柯平.《文心雕龙·明诗》三题[J].华中师范大学学报(人文社会科学版),2003,42(6):66-71. |
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| 作者姓名： | 王柯平 |
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| 作者单位： | 北京第二外国语学院,跨文化研究所,北京,100024 |
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| 摘 要： | 《心雕龙》中的《明诗》篇,主要论述诗歌的历史沿革,但其中些许微言大义,在一定程度上揭示了诗歌创作的基本特质。本将从体流变、艺术创生与风格范式三个方面,探讨刘勰诗学中的“折衷”与“求通”思想以及自然为美的理念。
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| 关 键 词： | 文体 折衷 求通 感物吟志 自然 雅润 清丽 |
| 文章编号： | 1000-2456(2003)06-0066-06 |
| 修稿时间： | 2003年3月27日 |
Looking into Liu Xie's Poetics in His Rediscovery of Poetry |
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| WANG Ke-ping.Looking into Liu Xie's Poetics in His Rediscovery of Poetry[J].Journal of Central China Normal University(Humanities and Social Sciences),2003,42(6):66-71. |
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| Authors: | WANG Ke-ping |
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| Abstract: | As is discerned in the Mingshi (Rediscovery of Potery)section of Wenxin diaolong (Literary Mind and Carved Dragon),its key formulation provided within is concerned with the historical evolution and development of poetry as a whole. It offers certain insights and notions that are subtly and pro-foundly exposing or revealing some most fundamental features of poetic creation. This paper attempts to look into Liu Xie's poetics with focuses on such conceptions as "zhezhong" (correct inclusiveness) ,"qiu-tong" (holistic vision),and ziran weimei(naturalness as beauty),etc. All this is to be conducted in view of stylistic change, artistic making and poetic paradigm. |
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| Keywords: | style correct inclusiveness holistic vision inspiration(from things)and expression(of feel-ings) naturalness gracefulness elegance |
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