| 论综合性艺术的美学价值 |
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| 引用本文： | 吴建安.论综合性艺术的美学价值[J].宜春学院学报,2011,33(9):122-124. |
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| 作者姓名： | 吴建安 |
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| 作者单位： | 黄山学院艺术系,安徽黄山,245041 |
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| 基金项目： | 黄山学院科研项目“论综合性艺术的美学价值” |
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| 摘 要： | 艺术的多元化使当代艺术观念更为宽容和自由,无论是作为艺术创作的主体还是客体,都有发展成为综合的趋势。综合性艺术随着后工业时代和信息化时代的来临逐渐发展成熟,并成为当代艺术的重要表现形式,对物质材料及观念表达的重视是综合性艺术两个主要方面。综合性艺术的流行与西方当代美学的发展有重要联系,西方当代错综复杂的、相互融合的美学思想是综合艺术的重要基础。
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| 关 键 词： | 当代艺术 多元化 综合性艺术 观念 |
On the Aesthetic Value of Comprehensive Arts |
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| WU Jian-an.On the Aesthetic Value of Comprehensive Arts[J].Journal of Yichun University,2011,33(9):122-124. |
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| Authors: | WU Jian-an |
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| Institution: | WU Jian-an(Department of Art,Huangshan University,Huangshan 245041,China) |
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| Abstract: | Art concept has become more tolerant and freedom following with diversity of contemporary art.Either as subject or object of artistic creation has developed into a comprehensive trend.Comprehensive arts have gradually mature with the advent of post-industrial era and information age,And become an important form of contemporary art.Paying attention to the expression of the concept and the using of the physical materials are two key aspects of comprehensive arts.Comprehensive arts have to be in the fashion with the development of Western aesthetics,mutual integration of aesthetics is an important foundation for Comprehensive arts. |
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| Keywords: | Contemporary art diversification comprehensive arts concept |
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