| 陈洪绶研究廿五年评述 |
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| 引用本文： | 万新华.陈洪绶研究廿五年评述[J].大连大学学报,2007,28(1):101-105. |
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| 作者姓名： | 万新华 |
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| 作者单位： | 南京博物院,江苏,南京,210016 |
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| 摘 要： | 陈洪绶作为一个极其重要的人物画家,画法承接唐宋传统,融合元明文人笔墨程式,以怪诞奇崛的美学趣味独树一帜,清初曾一度被正统派文人画家、理论家视为野恶。然清末以来,推崇其绘画技法、绘学思想并在创作中借鉴、吸收了陈洪绶绘画中的许多有益营养而最终走向成功。在当今纷繁复杂的多元化社会里,也对21世纪传统人物画的探索发展起到一定的启示作用,并引发人们寻求传统人物画在现代文化情境下的拓展之路。近年另有学者将陈洪绶绘画与荷兰伦伯朗、西班牙委拉斯贵支油画人物做比较研究,然而将陈洪绶绘画与西方写实油画相比,难免也会出现偏颇,这种比较不免有些牵强。
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| 关 键 词： | 陈洪绶 研究 评述 |
| 文章编号： | 1008-2395（2007）01-0101-05 |
| 收稿时间： | 2006-08-24 |
| 修稿时间： | 2006年8月24日 |
An Evaluation on the Twenty-Five-Year Study of Chen Hongshou |
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| WAN Xin-hua.An Evaluation on the Twenty-Five-Year Study of Chen Hongshou[J].Journal of Dalian University,2007,28(1):101-105. |
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| Authors: | WAN Xin-hua |
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| Abstract: | Chen Hongshou is a very important figure painter,whose techniques combine the traditions of the Tang and Sung Dynasties with those of the Yuan and Ming Dynasties.He makes his unique reputation for his grotesque style.He has ever been detested by the orthodox painters and theorists in the early Qing Dynasty.However,since the late Qing Dynasty he is hold in high esteem for his painting techniques and thoughts and many painters step into success by drawing on his achievements in their creations.Even in the contemporary pluralistic society,his painting techniques and thoughts still have inspiring significance for the exploration of the traditional figure paintings in the twenty-first century and direct us to develop the traditional figure paintings in the contemporary culture context.In recent years some scholars compare the paintings of Chen with those of Rembrandt from Holland and Velázquez from Spain.However,it is far-fetched to compare Chen's paintings with Western realistic oil paintings.In the process of comparison it is unavoidable to have some prejudices. |
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| Keywords: | Chen Hongshou analyses evaluation |
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