A latent class model of theatre demand |
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| Authors: | José M Grisolía Kenneth G Willis |
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| Institution: | (1) Department of Applied Economics, Universidad de Las Palmas de Gran Canaria, 35017 Las Palmas, GC, Spain;(2) School of Architecture, Planning & Landscape, University of Newcastle, Newcastle upon Tyne, NE1 7RU, UK;; |
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| Abstract: | This paper investigates market segments for theatre demand using a latent class model. The model is applied using data from
a stated preference survey implemented in a regional theatre in England. Results allow three classes of theatregoers to be
identified. The largest and ‘main class’ comprises mainly affluent people who show a strong preference for main theatre venues,
consider reviews of the productions, whether the author is known, and like all types of shows. The second is a ‘popular class’,
exhibiting the smallest willingness to pay and manifesting a strong preference for comedies, paying little attention to venues
and disliking more sophisticated shows. The third is an ‘intellectual class’ of theatre goers, who exhibit the maximum willingness
to pay, and show a strong interest for drama and adaptation of productions, and more independent aesthetic judgement. The
study shows the usefulness of latent class models in identifying market segments, a procedure that is relevant to policy makers
and theatre managers in setting prices, identifying different kinds of consumers to increase people’s engagement with theatre,
and undertaking social analysis of performing arts. |
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