| 核心与模糊边缘：审美意象与文学接受 |
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| 引用本文： | 苏永佳.核心与模糊边缘：审美意象与文学接受[J].哈尔滨学院学报,2007,28(4):61-65. |
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| 作者姓名： | 苏永佳 |
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| 作者单位： | 辽宁师范大学,文学院,辽宁,大连,116029 |
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| 摘 要： | “意象”一词,在文艺学中多指一种特殊的表意性艺术形象,是一种可以表现抽象观念或审美理想的对象,同时又是具有高度形象感和艺术感染力的审美对象。然而,“意象”作为一个有着古老起源的审美范畴有其固有的模糊性,当其进入审美接受时,这种模糊性便突显出来。这种模糊性并不影响——甚至可能增强了审美接受的效果,但是,如果我们在学理上把这种模糊性的来由、性质和特征解说清楚,就更能理解它那种高度整合、异质同构的审美效果。文章从接受美学的角度对其展开分析。
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| 关 键 词： | 接受美学 意象 错位 心理动机 求解 异质同构 |
| 文章编号： | 1004-5856（2007）04-0061-05 |
| 修稿时间： | 2006-07-10 |
The Edge of Core and Obscuration: Aesthetic Image and Literal Reception |
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| SU Yong-jia.The Edge of Core and Obscuration: Aesthetic Image and Literal Reception[J].Journal of Harbin University,2007,28(4):61-65. |
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| Authors: | SU Yong-jia |
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| Institution: | Liaoning Normal University, Dalian 116029, China |
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| Abstract: | The word "image" usually refers to a special artistic image in aesthetics.It is a kind of object that can express the abstract idea or the aesthetic ideal.At the same time it is an object that has vivid feeling and artistic infection.However,"image" as an ancient originated category has its inherent obscuration,when it enters aesthetic accept,the obscuration then suddenly appears.This obscuration does not affect-even may strengthen the aesthetic effect of accept,but if we can explain the case clearly in academic theory from its reason,nature and character,we could understand its highly conformity effect.This text tries to analyze it from the angle of aesthetic of reception. |
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| Keywords: | aesthetic of reception image dislocation mental motive solution heterogeneity with the same structure |
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