| 青绿山水画应该是一个开放的体系 |
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| 引用本文： | 陈逸键.青绿山水画应该是一个开放的体系[J].泉州师范学院学报,2011,29(5):48-53. |
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| 作者姓名： | 陈逸键 |
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| 作者单位： | 泉州师范学院美术与设计学院,福建泉州,362000 |
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| 摘 要： | 青绿山水画曾经以设色艳丽、金碧辉煌的画面效果而在盛唐时期有过睥睨千古的成就。然而，自中晚唐水墨山水画出现以后，青绿山水画就一直在中国画的边缘徘徊。20世纪以来，尤其是改革开放以来，中国山水画受西方绘画影响而开始重新关注色彩的表现力，并在工具、材料、题材等方面的实验探索达到了前所未有的广度和深度。通过回顾青绿山水画的发展历史，解读当代青绿山水画的概念指向，分析当代青绿山水画的实践成果，使之成为一个开放包容的发展体系。
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| 关 键 词： | 青绿山水画 历史 概念解读 开放的体系 |
The Blue and Green Landscape Must be an Opening System |
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| CHEN Yi-jian.The Blue and Green Landscape Must be an Opening System[J].Journal of Quanzhou Normal College,2011,29(5):48-53. |
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| Authors: | CHEN Yi-jian |
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| Institution: | CHEN Yi-jian(School of Art and Design,Quanzhou Normal University,Fujian 362000,China) |
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| Abstract: | Once the blue and green landscape had an extraordinary accomplishment in the Tang dynasty because of its bright-colored and golden splendous visual effect,but it has been lingering outside the mainstream of the Chinese landscape painting since the ink painting landscape appeared in the mid-Tang dynasty.As the 20th century has been progressing,particularly since reform and opening up,Chinese landscape painters pay more attention to the expressive force of pigment under the influence of westen painting,and ha... |
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| Keywords: | the blue and green landscape history of development concept interpretation opening system |
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