| 《乐府传声》中声乐表演艺术的“体验”和“表现” |
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| 引用本文： | 孙晨.《乐府传声》中声乐表演艺术的“体验”和“表现”[J].泉州师范学院学报,2011,29(5):60-64. |
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| 作者姓名： | 孙晨 |
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| 作者单位： | 泉州师范学院音乐与舞蹈学院,福建泉州,362000 |
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| 摘 要： | 以《乐府传声》的声乐表演艺术为研究对象，运用体验派和表现派两大表演艺术流派的理论，就文中关于表演艺术的“体验”和“表现”的表演方法进行了思考。解读发现，徐大椿对于声乐表演艺术中声乐表演方法的认识，与体验派和表现派的认识相比，有不可替代的独特性。
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| 关 键 词： | 《乐府传声》 声乐表演艺术 表演方法 “体验” “表现” |
The Experience and theExpression of Vocal Music Performance in the Book Music of Ballads |
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| SUN Chen.The Experience and theExpression of Vocal Music Performance in the Book Music of Ballads[J].Journal of Quanzhou Normal College,2011,29(5):60-64. |
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| Authors: | SUN Chen |
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| Institution: | SUN Chen(School of Music and Dance,Quanzhou Normal University,Fujian 362000,China) |
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| Abstract: | .Based on vocal music performance of the Book Music of Ballads （le fu chuan sheng）, the article,using the＂experience＇drama theory and the＂expression＂ drama theory, thinks of its acting methods＂experience＇and ＂expression＂. The analysis indicates that Xu Da-chun s understanding about acting methods of vocal music performance, compared with the corresponding viewpoint of the ＂experience＂ drama theory and the ＂expression＂ drama theory, has an irreplaceable specialty. |
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| Keywords: | the Book Music of Ballads vocal music performance acting methods experience expression |
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