| 留守与弃置--论李安电影影像构成的二律背反性 |
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| 引用本文： | 安燕.留守与弃置--论李安电影影像构成的二律背反性[J].钦州学院学报,2002,17(3):21-24. |
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| 作者姓名： | 安燕 |
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| 作者单位： | 贵州民族学院,中文系,贵州,贵阳,550025 |
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| 摘 要： | 李安电影文本的“跨文化”传播性、平等对话性以及自身文化体验的复杂性 ,决定了其电影影像构成表意深层的“狂欢”属性 ,然而 ,对传统文化精神的深层体察和熟稔 ,又使李安能够自觉放弃狂欢表达的形式 ,使其电影文本的影像构成呈现留守与弃置的二律背反特质
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| 关 键 词： | 李安 电影文本 狂欢化 留守 弃置 二律背反 |
| 文章编号： | 1008-5629(2002)03-0021-04 |
| 修稿时间： | 2002年4月13日 |
On the Principle of Developing and Discarding--Illustrated the Law of the Unity of Opposites Upon Ang Lee's Movies Image |
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| AN Yan.On the Principle of Developing and Discarding--Illustrated the Law of the Unity of Opposites Upon Ang Lee''''s Movies Image[J].Journal of Qinzhou University,2002,17(3):21-24. |
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| Authors: | AN Yan |
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| Abstract: | To a great deal extent,the intercultural propagandization,equal dialogueship and complexity of selfcultural experience in Ang Lee's movies'writings all have determined the surface and deep revelry like characteristics of his movies image cuttings.However,he has such insight and proficiency to cultural spirit that Ang Lee can abandon the revelry forms fron far and wide choices,and manifest his movies imagecuttings with the unique technique of the principle of developing and discarding. |
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| Keywords: | Ang Lee movies writings revelry developing discarding the law of the unity of opposites |
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