| 中国建筑艺术与审美意象 |
| |
| 引用本文： | 曹桂生.中国建筑艺术与审美意象[J].陕西师范大学学报(哲学社会科学版),2010(2). |
| |
| 作者姓名： | 曹桂生 |
| |
| 作者单位： | 陕西师范大学美术学院; |
| |
| 基金项目： | 教育部人文社会科学研究项目基金(09XJA880005) |
| |
| 摘 要： | 中国建筑(包括园林建筑)艺术善于运用象征性表现手法,赋予建筑以无限的意韵。象征是意象的基本表现特征。意象作为中国艺术创作自觉的审美取向,在建筑艺术中得到了充分体现。天人合一的宇宙观是创构建筑艺术审美意象的绝妙原理。在中国园林艺术中,多采用借景、造景、分景等,通过剪裁山水,提炼林泉,并运用移天缩地和收天纳地等手法,在有限的空间里创造出无限丰富的景色,以追求风花雪月,招之即来,虽有人作,宛若天开之境界。
|
| 关 键 词： | 建筑艺术 象征 审美意象 天人合一 |
Aesthetic Imagery in the Art of Chinese Architecture |
| |
| CAO Gui-sheng.Aesthetic Imagery in the Art of Chinese Architecture[J].Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition),2010(2). |
| |
| Authors: | CAO Gui-sheng |
| |
| Institution: | CAO Gui-sheng(College of Fine Art,Shaanxi Normal University,Xi\'an 710062,Shaanxi) |
| |
| Abstract: | The art of Chinese architecture tends to give an infinite mood to the building by means of symbolic devices.Symbolism is the fundamental means to represent the image.And image as a self-conscious aesthetic orientation in Chinese artistic production is given the fullest display in Chinese architecture art.Chinese gardening art tends to apply invoking,creating and separating the scenery to create an infinitely rich scenery in pursuit of an artistic mood in which Everything in nature seems at hand to pick up, ... |
| |
| Keywords: | architectural art symbolism aesthetic image integrity of heaven and man |
| 本文献已被 CNKI 等数据库收录！ |
|
