| 论悲剧的美学品性 |
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| 引用本文： | 温斌.论悲剧的美学品性[J].职大学报,2005(2):97-101. |
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| 作者姓名： | 温斌 |
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| 作者单位： | 包头师范学院,内蒙古,包头市,014030 |
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| 摘 要： | 悲剧作为戏剧的一种类型,在其漫长的产生和发展的历史过程中,逐渐形成了具有某种恒定意义的美学属性, 即悲剧情节是一个逐渐加剧的受难过程,悲剧的核心是某种合理性价值的毁灭,悲剧的美感效果是诉诸于怜悯和恐惧基础 上的崇高美,这样,对悲剧的分析和评价必须建立在对悲剧自身属性分析的基础上,否则,就会陷入道德化审美的误区。
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| 关 键 词： | 悲剧 悲剧人物 灾难性 毁灭 |
| 文章编号： | 1671-1440(2005)02-0097-05 |
| 修稿时间： | 2005年2月19日 |
On the Aesthetic Character of the Tragedy |
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| WEN Bin.On the Aesthetic Character of the Tragedy[J].Journal of the Staff and Worker's University,2005(2):97-101. |
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| Authors: | WEN Bin |
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| Abstract: | Tragedy as drama is one type of which is during the historical process of producing and developing. It' s becoming one certain invariable attribution of aesthetics which is the tragic that is the process of suffering, the nucleus of tragic is one rational valuble consume. The tragic aesthetic feeling is at the basic elevation of commiserate and dread. As so ana-lying and evaluating tragedy must based the basic the analying tragedy itself, otherwise it will involve in the mistake of moral aesthetic mistake. |
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| Keywords: | Tragedy tragedian calamity consume |
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