| 苏轼书法美学思想 |
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| 引用本文： | 舒韶雄.苏轼书法美学思想[J].江西教育学院学报,2004,25(2):106-109. |
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| 作者姓名： | 舒韶雄 |
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| 作者单位： | 黄石教育学院中文系,湖北黄石,435000 |
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| 摘 要： | 苏轼作为书法"宋四大家"之首,其成就十分显著。他的书法美学核心思想是尚自然。在其书法美学思想体系的构建中,"自然"的内涵不断充实,外延不断扩展,包含着本与末、道与艺、人品与书品等本体论范畴和创作论上的无意于佳、放意自适状态以及风格论上的自然平淡。他的书法成就正是他书法美学思想的具体体现。
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| 关 键 词： | 苏轼 书法美学 自然 |
| 文章编号： | 1005-3638(2004)02-0106-04 |
| 修稿时间： | 2003年10月20 |
The Aesthetic Idea in SU Shi's Handwriting |
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| SHU Shao-xiong.The Aesthetic Idea in SU Shi''''s Handwriting[J].Journal of Jiangxi Institute of Education,2004,25(2):106-109. |
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| Authors: | SHU Shao-xiong |
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| Abstract: | As the head of "the Top Four"in handwriting in Song dynasty ,SU Shi achieved outstanding achievements.The core of his handwriting aesthetics is advocating the nature.In structure,the content of "the nature" was riched gradually ,and the extension was extended constantly,including a series of ontology catalogue such as ins and outs,hows and whys and arts,moral qualities and handwriting characters,and specific nature manifestation in his creation,namely ,the casual condition and the plain style. |
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| Keywords: | SU Shi handwriting aesthetics nature |
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