| 中国第六代导演的影像话语 |
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| 引用本文： | 李正光.中国第六代导演的影像话语[J].福建师范大学学报(哲学社会科学版),2005(4):45-48. |
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| 作者姓名： | 李正光 |
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| 作者单位： | 福建师范大学文学院,福建,福州350007 |
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| 摘 要： | 作为中国影坛新一代--第六代导演在刚登场之初就表现出叛逆的姿态,在主流话语的夹缝中求生存,其影像话语是迥异于前代导演的,本文先简单追溯了百年中国影坛中导演的代际谱系,然后从影像视点的边缘与另类,影像的碎片化都市空间,影像风格的时尚化几个方面加以论述.
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| 关 键 词： | 第六代导演 影像 边缘 碎片 摇滚 时尚化 |
| 文章编号： | 1000-5285(2005)04-0045-04 |
| 收稿时间： | 03 20 2005 12:00AM |
| 修稿时间： | 2005年3月20日 |
Discourse Construction of the Sixth Generation Film Directors |
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| LI Zheng-guang.Discourse Construction of the Sixth Generation Film Directors[J].Journal of Fujian Normal University(Philosophy and Social Sciences Edtion),2005(4):45-48. |
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| Authors: | LI Zheng-guang |
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| Abstract: | As a new force of Chinas fiim-directing, the Sixth Generation Directors have shown a spirit of rebellion since their emergence, struggling for a space of survival and development against the hostile mainstleam style of film-directing. This paper attempts to present a comprehensive picture of the development of Chinas film-directing in the past century, and then illustrate the marginality and alienation,fragmented urban living, and state-of-aH fashions depicted in Chinas films in order to communicate the discourse ofthe Sixth Generation Film-directors to the readers. |
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| Keywords: | The Sixth Generation Film-directors films marginality fragment rock and roll (fashion) |
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