| 中国当代架上绘画的"陌生化"语境方式 |
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| 引用本文： | 宋文翔.中国当代架上绘画的"陌生化"语境方式[J].玉溪师范学院学报,2004,20(11):48-52. |
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| 作者姓名： | 宋文翔 |
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| 作者单位： | 玉溪师范学院,云南,玉溪,653100 |
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| 摘 要： | 随着85'新潮艺术的开展,"陌生化"出现在了中国当代艺术之中,并成为架上绘画 艺术追求"现代性"的一种有效语境方式。其具体方式主要有个体化"私人语言"的语境方式、经验 化的语境方式、观念化的语境方式和本士化的语境方式。
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| 关 键 词： | 架上绘画 陌生化 现代性 语境方式 |
| 文章编号： | 1009-9506(2004)11-0048-05 |
| 修稿时间： | 2004年10月28 |
The Contextual Modes of Defamiliarization in Chinese Easel Painting |
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| SONG Wen-xiang.The Contextual Modes of Defamiliarization in Chinese Easel Painting[J].Journal of Yuxi Teachers' College,2004,20(11):48-52. |
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| Authors: | SONG Wen-xiang |
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| Abstract: | Since the New Art Wave in 1985 ,"defamiliarization" appeared in contemporary Chinese arts and served as an effective contextual mode for the modernity of Chinese easel paintings. This mode can be subdivided into the individual " private speech" type, the empirical type, the abstract type and the localized type. |
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| Keywords: | easel painting defamiliarization modernity contextual modes |
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