| 略论花间词之审美趣味 |
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| 引用本文： | 苏中.略论花间词之审美趣味[J].青海师范大学学报(哲学社会科学版),2009(1):106-110. |
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| 作者姓名： | 苏中 |
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| 作者单位： | 青海师范大学,教师教育学院,青海,西宁,8100D8 |
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| 摘 要： | 由《花间集》所确立的花间词派在中国千年词史上占有极其重要的地位。它奠定了词作为一种新兴诗歌型态的体式规范，展现了词“别是一家”的独特美学价值。作为其时之香软柔美的“流行歌曲”，它为婉约词风的形成提供了成功的范例和积极的先导。词人在表现情爱这一领域中不断开掘，从字面到构图、色彩、声律、氛围、情调等等，无不力求精美，于是词体成为中国韵文最漂亮、最华贵、最悦耳的“美文”。
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| 关 键 词： | 花间词 审美趣味 艺术风格 |
Aosthetic Taste On Poetry of Huajianci |
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| SU Zhong.Aosthetic Taste On Poetry of Huajianci[J].Journal of Qinghai Normal University(Philosophy and Social Sciences Edition),2009(1):106-110. |
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| Authors: | SU Zhong |
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| Institution: | Education Department of Qinghai Normal University;Xining810008;China |
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| Abstract: | The Huajian faction,established by Huajianji occupied an extremely position in the thousands of years history of Chinese poetry.It laid the foundation for the lyrics as a new norm of poetry,and unfolded lyrics' extremely influential aesthetic value.As sweetly and mellow "popular song",it provided successful examples and active instructions for the formation of the style of subtle lyrics.Poets tried to create much more in the area of expressing love and feelings,and make it perfect,from words to compositions... |
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| Keywords: | Huajianci aesthetic taste art style |
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