| 大调曲子社会性别初步研究 |
| |
| 引用本文： | 仲立斌.大调曲子社会性别初步研究[J].信阳师范学院学报(哲学社会科学版),2008,28(3):81-84. |
| |
| 作者姓名： | 仲立斌 |
| |
| 作者单位： | 福建师范大学,音乐学院,福建,福州,350108 |
| |
| 摘 要： | 流行于豫南广大地区的大调曲子，蕴涵着社会性别内涵。分析民国以前、民国时期、新中国建立后三个不同历史阶段大调曲子活动中女性的行为，以及不同阶段大调曲子曲目中的女性形象，我们认为女性由男权社会中男性的附庸，一步步成长为命运的主人、社会主义国家的主人翁。不同历史阶段大调曲子社会性别内涵的变迁，是与特定历史阶段的社会文化相适应的。
|
| 关 键 词： | 大调曲子 社会性别 女性 曲友 |
A Preliminary Research on Gender of Henan Dadiao Tune |
| |
| ZHONG Li-bin.A Preliminary Research on Gender of Henan Dadiao Tune[J].Journal of Xinyang Teachers College(Philosophy and Social Sciences Edition),2008,28(3):81-84. |
| |
| Authors: | ZHONG Li-bin |
| |
| Institution: | ZHONG Li-bin ( Music Department of Fujian Normal University, Fuzhou 350108, China) |
| |
| Abstract: | There is some gender meaning in Dadiao Tune which spread in south of Yu Province abroad. Analyzing the women＇s action and women＇s image of Dadiao Tune in three different period of before the founding of the Republic of China, the Republic of China, and The people＇s Republic of China, women＇s image had changed from the appendix of man to the domination of the fortune and the master of the society. The changing of gender＇s meaning in different period is relative to the civilization of different period. |
| |
| Keywords: | Dadiao Tune Gender Women Quyou |
| 本文献已被 维普 万方数据 等数据库收录！ |
|
