| 歌剧《唐·璜》中唐·璜的演唱处理 |
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| 引用本文： | 苏鹏.歌剧《唐·璜》中唐·璜的演唱处理[J].内蒙古师范大学学报(哲学社会科学版),2009,38(3):133-135. |
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| 作者姓名： | 苏鹏 |
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| 作者单位： | 呼和浩特职业学院,师范学院,内蒙古,呼和浩特,010051 |
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| 摘 要： | 莫扎特的歌剧《唐·璜》中唐·璜这一角色充分展现了莫扎特独有的音乐风格。笔者通过分析这一角色的音色、共鸣、音量，起音、音准、语言，音域、声区转换以及呼吸控制、句法，在展示莫扎特人声处理特点的同时，从技术层面更准确地诠释了唐·璜这一角色。
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| 关 键 词： | 莫扎特 唐·璜 演唱处理 |
SINGING TECHNIQUES OF DON JUAN IN OPERA DON JUAN |
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| SU Peng.SINGING TECHNIQUES OF DON JUAN IN OPERA DON JUAN[J].Journal of Inner Mongolia Normal University (Philosophy & Social Science),2009,38(3):133-135. |
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| Authors: | SU Peng |
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| Institution: | SU Peng ( Hohhot Vocational College, Hohhot, Inner Mongolia, China 010051 ) |
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| Abstract: | Don Juan in Mozart＇ s opera Don Juae fully displays the music style peculiar of Mozart. Through an analysis of timbre, resonance, volume, qiyin, accuracy in pitch, language and vocal area change as well as breath control and syntax, the author interprets more accurately the role of Don Juan from a technical level while exhibiting Mozart＇s characteristics in processing voice. |
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| Keywords: | Mozart Don June singing techniques |
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