| 浅析中国古典诗歌的含蓄 |
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| 引用本文： | 王国洪.浅析中国古典诗歌的含蓄[J].衡水学院学报,2001,3(2):25-27. |
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| 作者姓名： | 王国洪 |
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| 作者单位： | 衡水师范专科学校,中文系,河北,衡水,053000 |
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| 摘 要： | 中国古典诗歌历来讲究含蓄,含蓄之法深得诗人之钟爱。含蓄的风格要求诗人深刻、细致地观察生活,运用娴熟的手段,表现事物深含的内蕴。含蓄形成的原因,既有诗歌内容方面的需要,也有形式方面的需要,更是鉴赏主体的需要。其表达手法丰富多样,充分表现了中国古代诗人睿智、聪敏、含而不露、隐忍不发的气质和涵养。
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| 关 键 词： | 含蓄 接受美学 鉴赏主体 |
| 文章编号： | 1008-6900(2001)02-0025-03 |
| 修稿时间： | 2001年3月10日 |
An Analysis of the Implication of the Chinese Classical Poems |
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| WANG Guo-hong.An Analysis of the Implication of the Chinese Classical Poems[J].Journal of Hengshui University,2001,3(2):25-27. |
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| Authors: | WANG Guo-hong |
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| Abstract: | The Chinese classical poems have always been particular about their implied meanings. All through the time,the poets have been doting on this style. The style of implication demands delicate observations and a great skill of using the language freely on the part of the poets. The formatiom of this style, with its colourful ways of expression, is not only the requirement of the content of the poems but also that of the readers. It is a style which fully expresses, the disposition and self-cultivation of the ancient Chinese poets, who were knowledgeable, intelligent, implicit and self-restraint. |
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| Keywords: | implication acceptance of aesthetics readers |
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