| 《女勇士》中“无名姑姑”的镜像作用 |
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| 引用本文： | 王晓琪.《女勇士》中“无名姑姑”的镜像作用[J].大连大学学报,2008,29(4):50-52. |
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| 作者姓名： | 王晓琪 |
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| 作者单位： | 大连大学英语学院,辽宁,大连,116622 |
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| 摘 要： | 华裔小说家汤亭亭在她第一部带有自传性质的小说《女勇士》的开篇为读者讲述了一个“无名女子”的故事,这一形象一直被评论界看作是“弱女子”的典型悲剧形象,与后来的“花木兰”以及“我”形成对比。运用雅克·拉康的镜像阶段理论,分析其在文本及华裔所面对的现实世界中所产生的镜像作用,使我们从这面“无名女子”之镜中看到华裔真正形象,从而完成华裔身份的重新建构。
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| 关 键 词： | 无名姑姑 镜像 身份 |
Mirror image of "No Name Woman" in The Woman Warrior |
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| WANG Xiao-qi.Mirror image of "No Name Woman" in The Woman Warrior[J].Journal of Dalian University,2008,29(4):50-52. |
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| Authors: | WANG Xiao-qi |
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| Institution: | WANG Xiao - qi (English College, Dalian University, Dalian 116622, China ) |
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| Abstract: | Chinese American writer Maxine Hong Kingston tells a story of "No Name Woman" in the opening part of her first non-fiction The Woman Warrior.Having long been viewed as the typical image of Chinese women who are weak and fragile,No Name woman poses a sharp contrast with the woman warrior—— Fa Mulan and "I".This paper tries to make an analysis of the role No Name woman plays both in the book and in the reality Chinese Americans are faced with,from the perspective of the Mirror Stage theory proposed by Lacan.Thus,No Name Woman serving as a mirror to reflect all the Chinese American images inside,the reconstruction of the identity of Chinese Americans are completed. |
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| Keywords: | no name woman mirror image identity |
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