| 中国山水画的变迁 |
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| 引用本文： | 李森.中国山水画的变迁[J].阜阳师范学院学报(社会科学版),2011(5):150-151. |
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| 作者姓名： | 李森 |
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| 作者单位： | 阜阳师范学院美术学院,安徽阜阳,236041 |
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| 摘 要： | 中国山水画从魏晋至唐时期其形式以青绿山水为主。至元代大批知识分子无法实现自己的抱负,只能隐居山林,纵情书画,文人画的兴起与成熟完全替代了青绿山水画,青绿山水则日见衰落,而取而代之的是水墨山水统治了近千年。这种变迁丰富了当时人们的精神生活,这也是艺术发展的必然规律,推动了中国山水画艺术不断向前发展。
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| 关 键 词： | 审美标准 青绿山水 水墨山水 |
Changes of Chinese Landscape Painting |
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| LI Sen.Changes of Chinese Landscape Painting[J].Journal of Fuyang Teachers College(Social Science Edition),2011(5):150-151. |
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| Authors: | LI Sen |
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| Institution: | LI Sen(School of Fine Arts,Fuyang Teachers College,Fuyang 236041,Anhui) |
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| Abstract: | From Wei to Tang dynasty,Chinese landscape painting were mainly viridescence landscapes.And in Yuan dynasty,quantities of intellectuals unable to achieve his ambition had to live in forests and indulged in painting and calligraphy.The rise and mature of literati paintings completely replaced the viridescence landscape painting.Viridescence landscape continued to decline.Instead ink landscape dominated nearly a thousand years.This change enriched people＇s spiritual life,which is an inexorable law governing art development,and promoted the nonstop development of Chinese landscape painting. |
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| Keywords: | aesthetic standards viridescence landscape ink painting landscapes |
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