| 沈从文乡土梦幻创作考察 |
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| 引用本文： | 肖太云.沈从文乡土梦幻创作考察[J].承德师专学报,2008,28(1):42-45. |
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| 作者姓名： | 肖太云 |
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| 作者单位： | 长江师范学院中文系 重庆408100 |
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| 摘 要： | 以“梦幻创作”为中心,尝试着将沈从文的整个湘西乡土创作分为1922—1933年、1933年冬—1934年春、1934—1948年三个时间段来考察。1922—1933年,沈从文备受都市压迫,因此以梦幻般的乡土创作来对抗都市。1933年冬—1934年春,沈从文生活、事业成功,压迫感减轻;同时,1934年初的回乡让他认清了湘西严峻的现实,乡土创作的着重点开始变向,以《边城》为变向的标记,《湘行散记》为发生主要变化后的首部作品。1934—1948年,沈从文的乡土创作逼近湘西现实,梦幻色彩锐减。纵观沈从文一生,他始终无法彻底割舍心中的那份湘西梦幻情结,其乡土创作都带有一丝梦幻色彩。
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| 关 键 词： | 乡土梦幻创作 《边城》 《湘行散记》 |
| 文章编号： | 1005-1554(2008)01-0042-04 |
| 修稿时间： | 2007年10月26 |
An Analysis on Shen Cong-wen's Local Dream-like Local Writing |
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| XIAO Tai-yun.An Analysis on Shen Cong-wen's Local Dream-like Local Writing[J].Journal of Chengde Teachers College for Nationalities,2008,28(1):42-45. |
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| Authors: | XIAO Tai-yun |
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| Institution: | XIAO Tai-yun (Chinese Department, Yangtze Normal University, Fuling, 408100, Chongqing) |
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| Abstract: | Taken the dream-like local writing as the core, this thesis attempts to divide Shen Cong-wen＇s Xiangxi writing into three stages： 1^st, from 1922 to 1933; 2^nd, from the winter of 1933 to the spring of 1934, 3^rd, from 1934 to 1948. On the first stage, Shen Cong-wen was often oppressed by the city, therefore he tried to take the dream-like local writing against it. On the second stage, the pressure was relieved due to the conffortable living and career success. The emphasis on his local writing began to alter, with Bordertown as the mark, and The Sketches of West Hunan as the first works. On the third stage, Shen＇s local writing was closer to the reality in Xiangxi, thus the dream-color in his works was weakened rapidly. Through his whole life, Shen Cong-wen could not give up the dream-like Xiangxi complex deep in his heart. Therefore, all of his local writings have a bit of dream color. |
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| Keywords: | dream-like local writing the beginning of 1934 Bordertown and its end dividing line alteration The Sketches of West Hunan |
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