| 现代艺术与“艺术的终结”之惑 |
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| 引用本文： | 王谦.现代艺术与“艺术的终结”之惑[J].安徽广播电视大学学报,2012(4):91-95. |
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| 作者姓名： | 王谦 |
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| 作者单位： | 南京艺术学院研究院 |
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| 基金项目： | 南京艺术学院校级重点学科建设项目资助“艺术学学科存在的学理根基”阶段性研究成果(基金编号:DGWQQGJ09) |
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| 摘 要： | 现代艺术令人瞠目的表现形式不由得使人们质疑它的合理性,而这种质疑在一定程度上已经殃及到艺术本身。于是"艺术的终结"在一定程度上成为一种理解艺术方向的新观念。然而"艺术的终结"在提出者黑格尔那里并非指艺术作为一种人类文明形式的结束而是其它,现代艺术也只是意味着艺术的"人类中心主义"理解方式的一种反思与觉醒。而在人类学视角上,现代艺术依旧行驶着它的艺术职责。
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| 关 键 词： | 现代艺术 艺术的终结 人类中心主义 |
Modern Art and Confusion of "The End of Art" |
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| WANG Qian.Modern Art and Confusion of "The End of Art"[J].Journal of Anhui Television University,2012(4):91-95. |
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| Authors: | WANG Qian |
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| Institution: | WANG Qian(Research School of Nanjing University of the Arts,Nanjin 210013,China) |
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| Abstract: | The astounding forms of modern art could not help but to make people doubt its rationality, which to a certain extent has affected the art itself. Then ＂the end of art＂ becomes a new alternative to the understanding of the art direction. However, ＂the end of art＂ proposed by Friedrich Hegel does not refer to the art as an end of human civilization, and modern art is just a reflection and awakening of the understanding of the art ＂anthropocentrism＂. From the perspective of anthropology, modern art is still performing the art duties. |
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| Keywords: | modern art the end of art anthropocentrism |
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