| 论徐渭的戏剧形态观 |
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| 引用本文： | 郑小雅.论徐渭的戏剧形态观[J].福建师范大学学报(哲学社会科学版),2004(5):70-75. |
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| 作者姓名： | 郑小雅 |
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| 作者单位： | 福建师范大学文学院,福建福州,350007 |
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| 摘 要： | 在明嘉靖“以曲为本位”的戏曲理论体系的背景下 ,徐渭对曲白科介这些戏曲形态因素 ,都能超乎前人在理论上加以阐述 ,在创作上大胆实践 ,显示了他虽不成熟却极富启示意义的戏剧形态观。
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| 关 键 词： | 徐渭 戏剧形态 曲 白 科介 |
| 文章编号： | 1000-5285(2004)05-0070-06 |
| 修稿时间： | 2003年12月24 |
On XuWei’s dramatic conception |
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| ZHENG Xiao-ya.On XuWei’s dramatic conception[J].Journal of Fujian Normal University(Philosophy and Social Sciences Edtion),2004(5):70-75. |
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| Authors: | ZHENG Xiao-ya |
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| Abstract: | Under the background of the theoretical system of the Chinese opera in the Jiajin period of the Ming dynasty, which regards the singing opera was regarded as the standard, Xu wei was able to surpass his precursors to elaborate the elemcnts of chrese opera concept theorotially which includs the spoken parts, werses, actons.And he ever put them into practice boldly.All of these shows his though unripe but very instructive Chinese opera concepts. |
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| Keywords: | XuWei Chinese opera concept opera spoken parts actions |
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