| 回归后的香港新诗创作 |
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| 引用本文： | 古远清.回归后的香港新诗创作[J].天津师范大学学报(社会科学版),2007(3):58-61,71. |
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| 作者姓名： | 古远清 |
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| 作者单位： | 中南财经政法大学,台港文学研究所,武汉,430070 |
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| 摘 要： | 20世纪90年代以来的香港诗坛并未因九七回归导致香港新诗主体性的消失和创作自由的失落,反而由于有“艺术发展局”的资助,诗刊、诗集的出版显得更加丰富多元。在诗体建设方面,颂歌的勃兴和散文诗的崛起,是最值得重视的现象。“立足香港,胸怀祖国,放眼世界”的香港新诗,就这样以自由的独特风姿屹立在新世纪的两岸四地诗坛中。
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| 关 键 词： | 香港回归 香港新诗 文学主体性 |
| 文章编号： | 1671-1106（2007）03-0058-05 |
| 修稿时间： | 2006-12-16 |
New Poem Creation in HongKong after Its Return to China in 1997 |
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| GU Yuan-qing.New Poem Creation in HongKong after Its Return to China in 1997[J].Journal of Tianjin Normal University(Social Science),2007(3):58-61,71. |
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| Authors: | GU Yuan-qing |
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| Institution: | Institute of Taiwan Literature, Zhongnan University of Economics and Law, Hubei Wuhan , 430073, China |
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| Abstract: | The poem field in Hong Kong hasn't lost its subjectivity in new poem and the freedom of creation since 1990,though HongKong returned to China in 1997.The journals and anthologies of poem published at that time are more diversified.The flourish of poem of praise and prose-poem are remarkable phenomena in construction of poem style.The new poem in HongKong,which is established in HongKong,loves for China and surveys the world,stands in the new century poem field with its special freedom style. |
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| Keywords: | HongKong's return to China in 1997 new poem in HongKong subjectivity |
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