| 《晚安,黛丝狄蒙娜》中的女权主义观点阐释 |
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| 引用本文： | 余菁.《晚安,黛丝狄蒙娜》中的女权主义观点阐释[J].黄山学院学报,2002,4(1):94-96. |
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| 作者姓名： | 余菁 |
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| 作者单位： | 黄山高专外语系,安徽,黄山,245021 |
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| 摘 要： | 20世纪60年代以米,女权主义运动蓬勃发展,男女性别差异在文化层面的处境被突显出来,女性作家得到极大的关注。女性作家将重修文学经典作为一种有力的手段,在文学作品中,重塑妇女形象,向男权文化的道德规范提出挑战。《晚安,黛丝狄蒙娜》以荒诞艺术形式阐述了女权主义思想,表达了现代女性寻找“自我”的渴望,是反男权中心文学经典的一部力作。
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| 关 键 词： | 男权中心 自我 潜意识 女性形象 女权主义观点 |
| 文章编号： | 1009-1149(2002)01-0094-03 |
| 修稿时间： | 2001年12月6日 |
Women's Own Voice in "Good Night , Desdemona" |
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| Yu Jing Huangshan collegeHuangshan,An Hui Province.Women''s Own Voice in "Good Night , Desdemona"[J].Journal of Huangshan University,2002,4(1):94-96. |
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| Authors: | Yu Jing Huangshan collegeHuangshan An Hui Province |
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| Abstract: | with the advent of the 1960s and it's political activism and social concerns, feminist issues found new voices. Women began to understand their place in society and to analyze everything affecting women in what feminists believe is a male-dominated world. To free themselves from the oppression ingrained in Western culture, women must reexamine the literary canon. Ann-Mary McDonald, the famous woman writer, challenges the stereotypical characterization of women and remodels the image of female inferiority in her Good Night, Desdemona. In addition, the play articulates their values, their opinions and their desire for integrity of the' self' through the stage absurdism |
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| Keywords: | androcentrism feminism image self subconsciousness |
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