| 中西方美学比较 |
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| 引用本文： | 曹利华.中西方美学比较[J].首都师范大学学报(社会科学版),1996(5). |
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| 作者姓名： | 曹利华 |
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| 摘 要： | 中西方美学分别产生于春秋战国与古希腊罗马时期。先秦美学强调人与人之间的协调性、艺术对情感的表现性及善与美的教化性；古希腊美学强调人与自然的和谐性、艺术对现实的再现性及真与美的功利性。中国的艺术哲学产生于魏晋时期，《文心雕龙》完成了中国古代美学体系的建构。西方直到文艺复兴时代随着人性复苏、艺术哲学的发展，康德与黑格尔的美学体系才得以诞生。中西方美学体系形成之展开方式虽有不同，但基本规律一致。
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| 关 键 词： | 人性化，教化，功利，表现，再现，建构，艺术哲学，美学体系 |
A Comparison between Chinese and Western Aesthetics |
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| Cao Lihua.A Comparison between Chinese and Western Aesthetics[J].Journal of Capital Normal University(Social Science Edition),1996(5). |
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| Authors: | Cao Lihua |
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| Abstract: | Chinese and Western aesthetics had emerged separately in the Spring and Autumn Period of Chinese history and Greek and Roman Period. In the aesthetics of the Pri-Qin time, coordination among people, art's expression to human feeling and humanization of the good and the beauty were emphasized. In the aesthetic of ancient Greece the harmony between man and nature, art's reappearance of reality and the utility of the true and the beauty were emphasized. Chinese philosophy of art had emerged in Wei and Jin period, the best -known work "Carving a Dragon at the Core of literature "had completed construction of ancient aesthetics system of China. Following the recovery of humanity and development of philosophy of art, the aesthetics system of Schiller and Hegel didn't emerge until the coming of the Renaissance. Although there was a difference in the way of formation of aesthetics system between China and Western countries, the basic guiding lines were the same. |
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| Keywords: | Humanity humanization utility expression reappearance construction art philosophy aesthetics system |
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