| 宋代江浙诗韵的上、去声 |
| |
| 引用本文： | 钱毅.宋代江浙诗韵的上、去声[J].郴州师范高等专科学校学报,2011(4):45-48. |
| |
| 作者姓名： | 钱毅 |
| |
| 作者单位： | 邵阳学院中文系,湖南邵阳422000 |
| |
| 基金项目： | 教育部人文社科研究一般项目（IOYJC740083）;中国博士后科学基金项目（20100471322）;江苏省博士后科研资助计划项目（1001058C）、湖南省教育厅科研基金优秀青年项目（098093） |
| |
| 摘 要： | 宋代江浙诗人用韵四声分押格局占绝对优势，这说明中古四声格局在宋代江浙基本未变。不过上声与去声之间有较多通押。宋代江浙地区全浊上声字正处在向去声演变的过程中。宋代江浙昊语中全浊上声调类可能存在，大概读成阳上。
|
| 关 键 词： | 宋代 江浙 方言 上声 去声 |
The Falling - rising Tone and the Falling Tone in the Rhymes of Poems in Jiangsu and Zhejiang in Song Dynasty |
| |
| Qian Yi.The Falling - rising Tone and the Falling Tone in the Rhymes of Poems in Jiangsu and Zhejiang in Song Dynasty[J].Journal of Chenzhou Teachers College,2011(4):45-48. |
| |
| Authors: | Qian Yi |
| |
| Institution: | Qian Yi (Department of Chinese, Shaoyang University , Shaoyang 422000, China) |
| |
| Abstract: | In Song Dynasty, the poets of Jiangsu and Zhejiang mainly used the four tones rhyming skill, which shows this pattern was basically unchanged there. Only the falling - rising tone and the falling tone had more comman rhymes. At that time the voiced sound words were in the evolution from falling - rising tone to the falling tone, so there maybe existed the rhyming adjustment of the words with voiced falling - rising tone, pronounced as the second and the third tones. |
| |
| Keywords: | Song Dynasty Jiangsu and Zhejiang dialect the falling- rising tone the failing tone Song Dynasty Jiangsu and Zhejiang the tone of Shang the tone of Qu |
| 本文献已被 维普 等数据库收录！ |
