| 水墨墨象与水墨人物画演进历程试探 |
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| 引用本文： | 崔成雨.水墨墨象与水墨人物画演进历程试探[J].淮阴师范学院学报(哲学社会科学版),2004,26(6):815-819. |
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| 作者姓名： | 崔成雨 |
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| 作者单位： | 淮阴师范学院,美术系,江苏,淮安,223001 |
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| 摘 要： | 宋代梁楷的泼墨人物画，以其独特的“墨象语言”拉开了与传统“线型语言”的距离，但是，由于长期封建专制的险恶环境和极难攻克的人物造型等因素的困扰，水墨人物画一直裹足不前。20世纪，以徐悲鸿为代表的艺术家们顺应时代的潮流，将水墨人物画创作推进到了空前的历史高度。目前的水墨人物画坛虽然多元并举，但是存在的问题尤其是理论上的问题亟待于进一步研究和梳理。
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| 关 键 词： | 水墨 墨象 水墨人物画 |
| 文章编号： | 1007-8444(2004)06-0815-05 |
| 修稿时间： | 2003年8月20日 |
Study on the Development of Ink Image and Figure Paintings |
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| CUI Cheng-yu.Study on the Development of Ink Image and Figure Paintings[J].Journal of Huaiyin Teachers College(Social Sciences Edition),2004,26(6):815-819. |
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| Authors: | CUI Cheng-yu |
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| Abstract: | Ink sprinkling figure paintings initiated by LIANG Kai in the Song Dynasty, characterized by meaningful ink image language, and quite different from paintings characterized by traditional line language. In addition, his paintings have great effect on the following traditional Chinese paintings. However, due to long-term feudal perilous situations and figure models, which are difficult to paint, ink figure paintings cannot develop at his times. In the 20th century, comparing with the trend of the times artists headed by XU Bei-hong make the creation of ink figure paintings reach its unprecedented peak. At present, in spite of various methods styles of ink painting in the world, many problems still exist; especially problems on theories are of ink figure paintings awaiting further study and solution. |
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| Keywords: | ink ink image ink figure paintings |
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