| 试论郭沫若《女神》中"火"的意象及其文化原型 |
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| 引用本文： | 周薇.试论郭沫若《女神》中"火"的意象及其文化原型[J].四川职业技术学院学报,2005,15(2):43-45. |
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| 作者姓名： | 周薇 |
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| 作者单位： | 华中师范大学,湖北,武汉,430079 |
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| 摘 要： | 郭沫若的《女神》是中国新诗史上的经典之作,其《女神》中“火”的意象的反复出现十分引人注目．首先,“五四”时代精神的泻染及当时东西方思想、文艺思潮的交汇与碰撞的影响赋予“火”以时代精神内涵．而在文化层面上,“火”及其衍生意象又具有深远的文化原型,它们不仅承续楚文化宏大的自然宇宙意象,而且在世界文化的博大视野中也能寻找到其意象之源头与理论依据．本文将从其时代精神内涵与文化原型两个方面试着做一番探究．
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| 关 键 词： | 意象 女神 郭沫若 《女神》 意象 “火” 诗歌 文学评论 |
| 文章编号： | 1672-2094(2005)02-0043-03 |
| 修稿时间： | 2005年1月6日 |
The Imago of the Fire and Culture Prototype in the Poetry "Goddess" by Guo Moruo |
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| Zhou Wei.The Imago of the Fire and Culture Prototype in the Poetry "Goddess" by Guo Moruo[J].Journal of Sichuan Vocational and Technical College,2005,15(2):43-45. |
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| Authors: | Zhou Wei |
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| Abstract: | The poetry "Goddess", written by Guo Mo-ruo, is a classic on the history of Chinese new poetry, and the imago " fire" appears time after time in it, which is quite conspicuous. For one thing, it endues the imago "fire" with connotation of time spirit. That includes the spirit of "4th, May, 1919" and the collision of the ideology and literature thoughts, which happened in the East and the West that time. We can also research into the "fire" and the imagoes that are derived from the "fire" on the cultural antitype lay. Now, this paper is going to probe into the imago "fire" in "Goddess" from two different aspects: the connotation of time spirit and the cultural antitypes. |
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| Keywords: | Fire Imago Goddess Guo Mo-ruo |
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