| 西方表现性绘画与中国意象绘画艺术趋向的一致性 |
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| 引用本文： | 梁卫民,尉艳丽.西方表现性绘画与中国意象绘画艺术趋向的一致性[J].渭南师范学院学报,2012(5):106-108. |
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| 作者姓名： | 梁卫民 尉艳丽 |
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| 作者单位： | 1. 渭南师范学院美术学院,陕西渭南,714000
2. 陕西师范大学美术学院,西安,710062 |
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| 摘 要： | 西方表现性绘画与中国意象绘画在不同的东西方文化与审美作用下,发展出了两种迥异的绘画体系,而艺术趋向上的一致性,却使得两大体系有了比较的可能性。在对两大体系的分析与探究中,开拓出了绘画语言探索的丰富性与一致性,并在对终极目标的一贯追求中分析表现与意象绘画,进而扩展出共性中的个性,并融汇中西,领悟绘画本体的独立自在和多元面貌。
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| 关 键 词： | 表现性绘画 意象绘画 绘画语言 主观情感 |
Probing into the Coherent Tendency of Western Expressive Paintings and Chinese Imagist Paintings |
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| LIANG Wei-min,YU Yan-li.Probing into the Coherent Tendency of Western Expressive Paintings and Chinese Imagist Paintings[J].Journal of Weinan Teachers College,2012(5):106-108. |
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| Authors: | LIANG Wei-min YU Yan-li |
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| Institution: | 1 School of Art,Weinan Normal University,Weinan 714000,China; 2 School of Fine Art.Shaanxi Normal University,Xi’an 710062,China) |
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| Abstract: | Under the influence of different culture and aesthetics,western expressive paintings and Chinese imagist paintings have developed their own distinctive painting systems,while the coherent tendency of art results in the possibility of comparison of two great systems.The analysis and exploration of two great systems implies the plenty and coherence of language exploration of paintings.The paper,on the basis of pursuit of final goals to analyze the expressive and imagist paintings,puts forward the specification based on the generality,and combines the West and the East to understand the independency and diversification. |
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| Keywords: | expressive paintings imagist paintings language of paintings subjective emotions |
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