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闽西客家庙会与戏曲文化生态探析
引用本文:靳阳春,吕 婷.闽西客家庙会与戏曲文化生态探析[J].赣南师范学院学报,2014(2):17-22.
作者姓名:靳阳春  吕 婷
作者单位:三明学院文化传播学院,福建三明365004
基金项目:福建省社科规划基金项目(2012B059);2012年福建省大学生创新创业训练项目(ZL1230/CS)
摘    要:庙会的宗教祭祀活动借助于戏剧形式进行,又推动了戏曲舞台的诞生和完善,庙会中的戏曲成为最富于文化个性的信仰形态。历史时期闽西客家地区庙会和戏曲文化生态:神是民间信仰,有神就有祭神场所——庙,民间信仰活动庙会要在特定的时间举办,在祭祀节庆活动中,戏是不可或缺的节目,功能在于"酬神"。闽西客家地区的庙会和戏曲保护真正需要的是活态传承,传统的文化形态只有走多元化的方式,才有可能谋得生存和发展。

关 键 词:闽西庙会  戏曲文化  文化生态

A Research on the Cultural Ecology of the Temple Fair and Drama at Western Fujian Hakka
JIN Yangchun,LV Ting.A Research on the Cultural Ecology of the Temple Fair and Drama at Western Fujian Hakka[J].Journal of Gannan Teachers' College(Social Science(2)),2014(2):17-22.
Authors:JIN Yangchun  LV Ting
Institution:( Dept. of Chinese, Sanming University, Sanming 365004, China )
Abstract:Religious activities of Temple Fair need the aid of drama form, which promot the birth and improvement of the opera stage, and opera in Temple Fair has become one of the most rich cultural individuality forms of belief. There is a specific cultural ecology of the Temple Fair and opera at Western Fujian Hakka in historical period : God is a folk belief; God had ritual place temple ; temple folk belief activities are to be held in a particular time ; opera is the section in the ritual festivals ; an indispensable function of opera is to "thanksgiving". The protection of Hakka region temple and opera is really needed for a living state heritage. Traditional cultural patterns only take a diversified approach to help to get its survival and development.
Keywords:temple fair  drama culture  cultural ecology
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