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20世纪30年代我国现实主义文艺理论发展的三种理路——冯雪峰、周扬、胡风早期现实主义理论之比较
引用本文:刘永明.20世纪30年代我国现实主义文艺理论发展的三种理路——冯雪峰、周扬、胡风早期现实主义理论之比较[J].赣南师范学院学报,2014(2):53-57.
作者姓名:刘永明
作者单位:中国艺术研究院,北京100029
摘    要:1933年前后我国左翼文艺界摆脱庸俗社会学的影响,逐渐接受正统的马克思主义现实主义理论,在总结本土化现实主义创作经验的基础上,开始形成中国化的现实主义理论体系,并诞生了第一代马克思主义文艺理论家,其中冯雪峰、周扬、胡风的现实主义理论体系之间存在着明显差异,形成了三种不同的发展理路和传统。

关 键 词:现实主义  文艺理论  冯雪峰  周扬  胡风

Three Theoretical Methods of the Development of Realistic Literature and Art Theories in the 1930s in China——A Comparative Study on the Early Realistic Theories of Feng Xuefeng,Zhouyang and Hufeng
LIU Yongming.Three Theoretical Methods of the Development of Realistic Literature and Art Theories in the 1930s in China——A Comparative Study on the Early Realistic Theories of Feng Xuefeng,Zhouyang and Hufeng[J].Journal of Gannan Teachers' College(Social Science(2)),2014(2):53-57.
Authors:LIU Yongming
Institution:LIU Yongming ( China National Academy of Arts, Beijing, 100029, China)
Abstract:In 1933, leftists of our literature and art circle gradually got ride of the influence of vulgar sociology and accepted the authentic realistic theory of Marxism. On the basis of localization of realistic creation, a system of Chinese realistic theory began to take shape and the first generation of Marxist theorists of literature and art began to appear, among which Feng Xuefeng, Zhou Yang and Hu Feng were obviously different in their systems of realistic theories. Therefore, three different development methods and traditions had been formed.
Keywords:realism  literature and art theories  Feng Xuefeng  Zhou Yang  Hu Feng
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