| 史诗阙如与文化垄断 |
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| 引用本文： | 杨兴华.史诗阙如与文化垄断[J].西北师大学报,2005,42(3):30-33. |
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| 作者姓名： | 杨兴华 |
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| 作者单位： | 衡阳师范学院中文系 湖南衡阳421008 |
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| 基金项目： | 湖南省社会科学成果评审委员会立项资助课题(0407008) |
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| 摘 要： | 汉民族虽然不乏作为史诗基础的早期叙史歌谣,但却没有发育出典型的民族史诗。究其原因,关键在于官方文化垄断使叙史歌谣丧失了其赖以生存和发展的民间自由说唱这一文化环境。而文化垄断背景下的叙史散文化倾向,更使得叙史歌谣离史诗的距离越来越远。于是,作为文化垄断的直接后果,史诗最终与华夏文学无缘。
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| 关 键 词： | 史诗 华夏文学 文化垄断 |
| 文章编号： | 1001-9162(2005)03-0030-04 |
| 修稿时间： | 2004年12月22 |
The Epic Absence and Culture Monoply |
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| YANG Xing-hua.The Epic Absence and Culture Monoply[J].Journal of the Northwest Normal University(Social Sciences),2005,42(3):30-33. |
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| Authors: | YANG Xing-hua |
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| Abstract: | Chinese nation doesn't lack the original history-saying ballad which may turn into typical national epic,but it doesn't grow into typical national epic.The most important reason of this phenomenon is that the official-rigged culture makes history-saying ballad forfeit its cultural environment,the folk singing,in which it has always lived.In the culture-rigged environment,the prose turn of the history mention makes history-saying ballad turn to be far away from epic.Thus,the direct consequence of rigged culture is the absence of epic in Chinese literature . |
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| Keywords: | epic Chinese literature culture monoply |
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