| 咏叹调《啊! 满园鲜花凋零》的艺术风格和演唱 |
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| 引用本文： | 薛娇.咏叹调《啊! 满园鲜花凋零》的艺术风格和演唱[J].邵阳学院学报(社会科学版),2012(4):105-108. |
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| 作者姓名： | 薛娇 |
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| 作者单位： | 湖南女子学院艺术表演系 |
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| 摘 要： | 歌剧作为一种综合艺术形式,包含着诸多方面的艺术因素,其中的咏叹调则集中表现了剧中人物的情感和个性,也是形成作曲家创作特色的重要组成部分。掌握作曲家歌剧咏叹调作品的艺术特征,无疑对表演者演唱的成功具有重要意义。歌剧《梦游女》是意大利作曲家贝利尼的代表作品之一。剧中人物个性鲜明,富有戏剧色彩。文章试图结合女主人公阿米娜的角色定位,对其著名咏叹调《啊,满园鲜花凋零》的艺术风格及演唱作出细致的分析。
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| 关 键 词： | 梦游女 《啊 满园鲜花凋零》 演唱处理 |
The Artistic Style and Singing of the Aria "Ah,Non Credea Mirati" |
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| XUE Jiao.The Artistic Style and Singing of the Aria "Ah,Non Credea Mirati"[J].Journal of Shaoyang University:Social Science,2012(4):105-108. |
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| Authors: | XUE Jiao |
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| Institution: | XUE Jiao(Dept.of Performing Arts,Hunan Women’s University,Changsha 410004,China) |
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| Abstract: | Opera is a comprehensive art form and contains a lot of artistic elements.The aria embodies a concentrated expression of the characters’ emotions and personality,and it is also an important part of composers.So,mastering composer of opera arias’ artistic features has important significance for the success of performers.Opera "La Sonnambula" is one of the representative pieces of Italy composer Bellini.The personalities of the characters in the opera are distinctive and comic.This paper tries to analyze the artistic style and singing processing of "Ah,Non Credea Mirati",combining the heroine Amina’s role localization. |
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| Keywords: | La Sonnambula "Ah Non Credea Mirati" singing processing |
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