| 解读绘画表现中的“横涂竖抹” |
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| 引用本文： | 陶昌平,代洪琴.解读绘画表现中的“横涂竖抹”[J].楚雄师范学院学报,2012,27(2):105-108. |
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| 作者姓名： | 陶昌平 代洪琴 |
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| 作者单位： | 1. 攀枝花学院,四川攀枝花,617000
2. 楚雄师范学院,云南楚雄,675000 |
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| 摘 要： | 横涂竖抹是画家绘画表现中的一种极度自由和自信的状态,其所蕴含的是画家对绘画法度的超越,是有法到无法的具体表征,是画家对绘画艺术的自我解读。其呈示给我们的是,物象与心像,心与手,技与道的高度融合,画家所涂抹表现的是物象的外在表现形式,也是其内在本质规律。横涂竖抹作为塑造形色的一种手段,粗中有细,拙中有巧,放中有收的辩证涂抹,是画家深悟绘画之道的具体表征。
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| 关 键 词： | 横涂竖抹 画法 笔墨 表现形式 |
Interpretation of Graffiti in Painting |
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| TAO Chang-ping,;DAI Hong-qin.Interpretation of Graffiti in Painting[J].journal of chuxiong normal university,2012,27(2):105-108. |
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| Authors: | TAO Chang-ping ;DAI Hong-qin |
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| Institution: | 1.Panzhihua University,Panzhihua 617000,China; 2.Chuxiong Normal University,Chuxiong 675000,China) |
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| Abstract: | Graffiti is a superb state in which painters freely express their minds with skillfulness and confidence.It represents artists’ transcendence of painting techniques and self-interpretation of the painting art.It is also an integration of their extrinsic ways of expressing artistic styles and inner thoughts.Apparently,it is an unintentional way of expressing the painters’ minds.However,it is a great philosophy with abstruse principles and mastering this technique is a sign of painters’ deep insights into art. |
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| Keywords: | Graffiti painting techniques ways of expressing artistic styles |
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