| “后《阿凡达》”时代的电影艺术现实构建 |
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| 引用本文： | 徐允.“后《阿凡达》”时代的电影艺术现实构建[J].沧州师专学报,2014(2):93-95. |
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| 作者姓名： | 徐允 |
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| 作者单位： | 武汉理工大学艺术与设计学院,湖北武汉430070 |
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| 摘 要： | 电影艺术现实的建构,是电影理论长期以来关注的重要问题。《阿凡达》的出现掀起了一波新的有关于构建电影虚拟现实的浪潮,为营造更加逼真的电影现实,实现电影的真实提供了新的手段。但是,与此同时,电影作为艺术所具有的审美层面的自我确证功能也随之受到威胁。这种威胁既来自于对新的技术本身的过度追求,也来自于为了奇观异景的创作而对电影的文化诉求的忽视。
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| 关 键 词： | 艺术现实 D电影 自我确证 《阿凡达》 |
The Construction of Film Art Reality in the “Avatar” Era |
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| XU Yun.The Construction of Film Art Reality in the “Avatar” Era[J].Journal of Cangzhou Teachers‘College,2014(2):93-95. |
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| Authors: | XU Yun |
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| Institution: | XU Yun (College of Art and Design, Wu Han University of Technology, Wuhan, Hubei 430070, China) |
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| Abstract: | The construction of film art reality has long been the focus in the field of film art.The release of the film ＂Avatar＂leads a new wave of virtual reality to create a more realistic movie reality.But at the same time,the film as a form of art has been threatened for the self-evidence function in the aesthetic level.The threat is caused by the excessive pursuit of the new technology,and the creation of wonders neglects the cultural appeal of the film art. |
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| Keywords: | Art reality 3D movies self-evidence ＂Avatar＂ |
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