| 怀旧·爱情·社会——论电影《牯岭街少年杀人事件》 |
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| 引用本文： | 何李新.怀旧·爱情·社会——论电影《牯岭街少年杀人事件》[J].怀化学院学报,2010,29(3). |
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| 作者姓名： | 何李新 |
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| 作者单位： | 绵阳师范学院,新闻与传媒学院,四川,绵阳,621000 |
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| 摘 要： | 影片《牯岭街少年杀人事件》是一个阿兰.巴迪欧式的事件。它大胆解构了台湾新电影群体的怀旧行为。少年的青春往事中贯穿的依然是成人世界残酷的生存逻辑。杀人暴行不过是对欲望僵局的自毁式挣脱。更重要的是,当侯孝贤们在后极权时代竭力填补过去岁月的失落和惆怅时,杨德昌已经预言经历现代化转型的台湾社会即使能够摆脱威权统治的压迫,也会很快陷入另一种资本主义的囚笼。
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| 关 键 词： | 怀旧 爱情 社会 事件 |
Nostalgia,Love and Society-on Film A Brighter Summer Day |
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| HE Li-xin.Nostalgia,Love and Society-on Film A Brighter Summer Day[J].Journal of Huaihua University,2010,29(3). |
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| Authors: | HE Li-xin |
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| Abstract: | The film A Brighter Summer Day is an event of Alain Badiou.It boldly deconstructed the nostalgia of Taiwanese New Film.The youth was still full of cruelty of adult world.The murder was just break of desire impasse.More importantly,when people like Hou Hsiao-hsien were trying to compensate loss and melancholy in post-totalitarian era,Edward Yang has predicted the Taiwan society' transformation.Although people could get rid of the authority oppression,they will fall into another kind of capitalism cage sooner or later. |
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| Keywords: | nostalgia love society event |
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