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"物感说"及其理论创作基础
引用本文:张希玲."物感说"及其理论创作基础[J].哈尔滨学院学报,2003,24(9):72-75.
作者姓名:张希玲
作者单位:大庆高等专科学校,中文系,黑龙江,大庆,163000
摘    要:"物感说"是我国魏晋文论中的重要学说,论述的是作家创作中"物"与"情"的关系.陆机在《文赋》中论述了作家有感于四时景物而产生创作的冲动,刘勰则将"物"的内涵扩展为一切客观外物,并强调了"物"与"情"的互动关系,钟嵘则进一步将社会生活纳入"物"的范畴,并将"情"推到了至高的地位.同时,刘勰和钟嵘还进一步论述了作家如何写"物"以传"情".庄子的"至乐"说、《礼记*乐记》中的音乐理论、蔡邕的"肇与自然"说,是这一学说的理论基础,前人及时人的文学创作,也是这一理论产生的创作源泉.

关 键 词:文艺理论  物感说    
文章编号:1004-5856(2003)09-0072-04

Theory of " Thing and Sentiment" and Writing Base
ZHANG Xi-ling.Theory of " Thing and Sentiment" and Writing Base[J].Journal of Harbin University,2003,24(9):72-75.
Authors:ZHANG Xi-ling
Abstract:Theory of "thing and sentiment" is one of the most important theories in criticisms of Wei and Jin Period, which discussed the relation between "thing" and "sentiment", when writes are writing. Luji discussed the writing impulsion when writers were stimulated by the sceneries and surrounding of the four seasons. He extended the meaning of "thing" to all the outside objects, and stressed the interactive relation of "thing" and "sentiment", while Zhong rong included social life in "thing", and pushed "sentiment" to the highest status. Meanwhile Liu Xie and Zhong Rong discussed further how writers wrote "thing" to convey "sentiment". Zhuangzi's musical theory and Caiyi's theory of nature are both the theoretical base for this theory.
Keywords:Literature theory  thing and sentiment theory  thing  sentiment  
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