| 关于女性篆刻的思考 |
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| 引用本文： | 徐咏平,吕郁芳.关于女性篆刻的思考[J].丽水学院学报,2004,26(1):61-63. |
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| 作者姓名： | 徐咏平 吕郁芳 |
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| 作者单位： | 丽水师范专科学校,美术系,浙江丽水,323000 |
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| 摘 要： | 历史上女性篆刻发展不尽人意，自明中期讫于现代，女印人屈指可数，且多系篆刻家之妻妾。女印人的成功更需要条件和机遇。“现代第一女印人”谈月色的成长经历就令人回味。在当代，女性篆刻有所发展，但势头并不强劲。这与篆刻的刀石特性、男女的腕力及智力差别及女性的家庭地位、作用有关。当代女性就读于艺术院校书法篆刻专业日多．女性篆刻发展前景看好。当代女性篆刻的总体风格偏向男性化，倾向于写意、大气一路印风，这与社会倡导、展厅文化及女性印人自身性情等有关。当代女性印坛应提倡女性意识，但从长远来看，则不能刻意强调男女的性别差异。
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| 关 键 词： | 女性篆刻 艺术风格 女性意识 女性印人 思维方式 |
| 文章编号： | 1008-6749(2004)01-0061-03 |
| 修稿时间： | 2003年3月7日 |
Thought on Women's Seal Cutting |
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| Abstract: | The development of women's seal cutting was not satisfactory in history. The sculptresses in seal cutting were very few from the middle of Ming Dynasty to now. What's more, most of them were sculptor's wives and concubines. They needed more conditions and opportunities to success. The growth of Tan Yue Se , the best sculptress in seal cutting in modern times, makes us pond over. At the present age, the women's seal cutting has developed, but not very powerfully. The development connects with the characteristic of stones and knives, the difference of wrist strength and mentality between men and women. It also depends on women's status and action in a family. More and more women go to study the seal cutting in art schools, The women's seal cutting has a bright outlook. The general style is partial to the style of free hand and poise, because they're related to the social proposal, the gallery culture and women's temperament.The women's seal cutting at present age should advocate women's consciousness, but it's not necessary to emphasize the defference between men and women purposely. |
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| Keywords: | women seal cutting development women's consciousness |
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