| 王朝闻论艺术风格的主体性 |
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| 引用本文： | 郝春燕.王朝闻论艺术风格的主体性[J].襄樊职业技术学院学报,2007,6(1):97-100. |
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| 作者姓名： | 郝春燕 |
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| 作者单位： | 山东师范大学,文学院,山东,济南,250014 |
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| 摘 要： | 中国当代哲学美学存在着将艺术作为一个客观的与审美主体人分裂的对象来看待的误区，王朝闻认为作为审美对象的艺术不是一个被动的对象，而是蕴涵着人的审美意识的对象，而艺术的主体性最显著的表现，就是艺术风格与人的审美意识的内在联系。王朝闻详细分析了艺术风格与艺术家以及欣赏者的主体性的内在联系．并强调了艺术风格的主体性的现实生活基础．王朝闻对艺术风格的主体性的理解是和他的审美关系论相互联系的．他对艺术风格的主体性的多纬分析还确立了一种新的艺术本体论，外中国当代美学的形而上学误区有颠覆和匡正的意义。
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| 关 键 词： | 艺术风格 主体性 自然 生活 |
| 文章编号： | 1671-914X（2007）01-0097-04 |
| 收稿时间： | 2006-10-07 |
| 修稿时间： | 2006年10月7日 |
Comments on Subjectivity of Artistic Style by Wang Chao-wen |
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| HAO Chun-yan.Comments on Subjectivity of Artistic Style by Wang Chao-wen[J].Journal of Xiangfan Vocational and Technical College,2007,6(1):97-100. |
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| Authors: | HAO Chun-yan |
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| Abstract: | There is a misunderstanding in existence that the contemporary Chinese philosophical aesthetics treats art as an object that split up from the aesthetical body. Wang Zhaowen considered that art which is an aesthetical object is not a passive object, but an object contains aesthetic sense of human body. The most notable performance of the aesthetic sense is the intrinsic connection between artistic style and the aesthetic sense of human body. Wang Zhaowen also precisely analyzed the intrinsic connection between the two, and gave emphasis on the realistic living foundation about subjectivity of artistic style. His understanding of Subjectivity of Artistic Style was concerned with his aesthetical relationship theory. His multidimensional analysis on subjectivity of artistic style also establishes a new artistic ontology, and it has a sense of subversion and reconstruction towards the metaphysical misunderstanding in Chinese contemporary aesthetics. |
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| Keywords: | artistic style subjectivity nature living |
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